ESSENCE Field Guide: European Design Cities uncovered DESIGN CITY PRAGUE
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WHY WE LOVE TRAVELLING TO PRAGUE RIGHT NOW
In Prague, design is not an add-on, but part of the city's culture. Not a gesture, but a fabric. Not a trend, but a tradition.
That is why the new ESSENCE Field Guide begins here: a series on European cities whose design doesn't shout, but quietly resonates. Design City Prague is the first chapter, a compass for anyone who wants to understand how architecture, material and craft hold a city together.
Two voices shape this chapter:
Kateřina Handlová
Lighting & Glass Designer, creator of atmospheres. She shapes light as if it were material, creates spatial moods and curates glass installations. For her, light is not an effect, but cultural precision.
Neuhäusl Hunal
Architecture & Scenography, designers of modern everyday places. Their work shows how spaces build identity through material, transitions and calm structure. Architecture as a point of view, not a surface.
These two studios stand for what has defined Prague for a century: material honesty, clarity, precision.
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A historical foundation:
600 YEARS OF GLASS; 100 YEARS OF MODERNISM
Prague is the only city where Cubism was actually built: Gočár, Janák, Chochol, with façades of facets, edges and prisms. Not a reconstruction, but part of everyday life. Add to this a glassmaking tradition that dates back to the 14th century: the "Crystal Valley", Lasvit, BOMMA, Brokis. Glass as Czech identity, transformed into contemporary sculpture and lighting objects.
And then there is functionalist modernism from 1918 onwards: clean lines, democratic architecture, efficiency as a moral stance, as seen in the Villa Müller (Adolf Loos, 1928). Cubism, glass and functionalism are not history. They are architectural DNA.
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THE CONTEMPORARY SCENE: CRAFT MEETS INNOVATION
Since 1885, the UMPRUM Academy has trained the designers who shape Prague today. The city thrives on this openness between disciplines: craft, glass, food, architecture and art in dialogue, without hierarchy. You can feel it in:
Restaurants that take material as seriously as cuisine (Alma, The Eatery, Zlatá Praha)
Galleries that work with light as they do with exhibits (KODL Contemporary, Kunsthalle, Trafo)
Showrooms that present atmosphere rather than products (Lasvit, Dechem, SmetanaQ)
Cafés and bars that don't display design, but simply live it (Sensu, Forbína)
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WHY THIS MATTERS TO ESSENCE
EGETEMEIER stands for calm, material and precision. Prague is a city where these values are visible, tangible and part of everyday life.
Design here is not a brand. It is a point of view.
And that is exactly where ESSENCE begins: with a calm, clear perspective.
01. INTRO: “A FEELING, A LIGHT, A PLACE”
Prague has a diffuse light that makes even grey days feel warm. In the morning, concrete and glass along the Vltava shimmer softly; in the evening, the city draws the light back in, slowly, like a breath.
In this light, design becomes culture:
Hotels have a point of view.
Studios tell stories.
Cafés use materials like punctuation.
Between Gothic towers, Cubist façades and contemporary glass objects, a design echo emerges that connects past and present.
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02. THREE TRAILS: ONE CITY, THREE PATHS
Three routes through Prague's material culture: places where craft becomes visible, hotels that treat architecture as narrative, and everyday spaces where design feels grounded rather than contrived.
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A | MATERIAL TRAIL: CRAFT, GLASS, TEXTURE
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The Czech glass pioneer translates tradition into contemporary sculpture. "Splash" by Martin Gallo looks like a moment frozen in time: movement turned to crystal. Soft light, uncluttered spaces: the showroom is a stage, not a shop. A fixture of Designblok and a laboratory of material honesty.
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Hand-blown glass between nostalgia and rigour: clean contours, milky surfaces, restrained colours. Each object seems to hold light and time. A studio that shows how material takes on character.
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Martin Janecký shapes glass from the inside out, a technique known as inside bubble sculpting. His sculptures are physical, almost anatomical: heat, hand and material in dialogue. Step into the studio and you understand: glass is not an object. It is a gesture.
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B | HOSPITALITY CIRCLE: SPACES THAT TRANSLATE A POINT OF VIEW
6 | Fairmont Golden Prague
1970s Brutalism, sensitively renewed. Kateřina Handlová defines its character: BOMMA light sculptures ("Coocoo's Nest") float like crystalline capsules above the bar, inspired by Forman and shaped like whisky glasses. Ceramics, stone and vertical lines come together as a calm whole. Zlatá Praha carries this through to the plate.
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7 | Andaz Prague Cosmopolitan, yet quiet. Warm tones, textured fabrics, soft light: luxury without ego. A hotel that focuses energy rather than amplifying it.
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8 | Almanac X Prague Natural stone, brass, dark wood, all precisely placed. No theatrical gestures, just stillness in the details. A place that absorbs the intensity of the city and softens it.
C | HIDDEN CRAFT: PLACES WHERE MATERIAL IS AT HOME
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A space that carries you through the day. Vertical ceramic tiles catch the light and give it back softly as the day moves on. An earthy palette, pared-back lighting: atmosphere rather than effect. Architecture as a quiet metronome for everyday routines.
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The dining room as a theatre without a stage. Exposed concrete, raw wood-cement panels, precise furniture: the materials carry the narrative. A restaurant that doesn't stage, but tells a story.
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GRAN FIERRO by Formafatal: fire as metaphor. Raw steel, concrete and wire tell a story of transformation. Pieces of coal framed in exposed concrete become symbols of a new responsibility: resource rather than residue. Architecture as the mirror of an ethical fire that keeps on burning.
03. CONVICTION, MATERIAL, SENSUALITY
All these places speak the same language: material matters. Light leads. Atmosphere is design. Prague shows design that doesn't pose, but supports: a quiet vocabulary of glass, ceramics, wood and stone.
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04. ATMOSPHERE, NOT QUOTATION
Kateřina Handlová
Her work shows how light distils architecture into mood. Glass as atmosphere: precise, quiet, culturally resonant.
Neuhäusl Hunal
Their spaces prove that places gain strength when material and light take centre stage. Reduction as a principle.
Martin Janecký
Glass as a physical, narrative material: heat, gesture, time.
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05. CONCLUSION: DESIGN AS A SPACE FOR RESONANCE
Prague is at its strongest where design allows for stillness: in spaces that give time rather than take it.
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EGETEMEIER
TAKEAWAY
Travel teaches us to see.
Design teaches us to stay.
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